Bedrooms and Hallways

KEVIN MCKIDD and JAMES PUREFOY!!!!!!!!!!!!!!!!!!!!!!!!!!!! Yes yes yes yes, you're doin' it...two at once! That's right, together, and the fact that they are also in the HBO series, Rome, makes it even better. I don't need many other reasons to enjoy a film, although Hugo Weaving and Tom Hollander aren't bad either. This 1998 feature is incredibly funny.

The events leading up to Leo's (Kevin Mckidd) 30th birthday are nothing more than romantic calamity. He enters a men's therapy group where he meets Irish Brendan (James Purefoy). The sexual tension between them is intense, and they pair together very well. That is probably because it's KEVIN MCKIDD and JAMES PUREFOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! The humor in this film is poignant and witty. My favorite scene is a parody of Jane Austen that I continue to pull up on youtube for a daily laugh.

Now I have taken to flipping back and forth from Bedrooms and Hallways to Rome for a little extra kick. It's kind of like mixing acid and exstacy. In fact, this film caused me to cheat on Tanner Cohen, about whom I have been fantasizing for some time, by lusting in my heart...and other places. Definitely watch this move. It's great all around.

Happy Endings,

Matthew

Defying Gravity

What is it about frat boys that makes them so delicious? I mean, if God made homosexuals, then she made frat boys to give homosexuals somebody to fuck with. Fraternal love is one thing, but the possibility of the love that dare not speak its name rearing its head within the confines of a secretive, trusted, order of bravado and testosterone...well that's another. Forbidden sins are always so much more fun. From my own personal experience I have learned that it's the apple that spoils the bunch which is the sweetest. Defying Gravity (1997) has a bit more substance than the shallowness I had hoped for.

I was drawn to this film the moment I read the description. The tag line is really more accurate, "Some pledges are for keeps." Griff (Daniel Chilson) and Pete (Don Handfield) are fraternity brothers who have fallen in love with one another. While Pete openly accepts this and moves out of the frat house, Griff is still reluctant to come out. When Pete becomes the victim of a hate crime, Griff must make a moral decision to come forth with the truth about himself in order to apprehend the people responsible.

This film also deals with racial issues among students in a profound way that delivers a realistic portrayal of something with which many of us can relate. I am reminded of the ways that the educational environment brings people of varying backgrounds and cultures together like a great equalizer. College can be a dangerous and a safe place for young homosexuals to come out. That age period is a time when one falls in love with the idea of beating the odds, and all things are possible.

Though it may have benefited from a better budget, this is a good film. The acting is well done, and the story is believable. Check it out.

Happy Endings,

Matthew

Gay Sex in the 70s

Gay Sex in the 70s is a 2005 documentary that takes a candid look at the years between 1969 and 1981 in New York. This is the period just after Stonewall up to the AIDS crisis. It has been described as comparable to the libertine years of the Roman Empire. Free love, drugs, and dancing made this a marking point in gay history.



Prior to the new found sexual freedom of the 70s, antiwar sentiments and the civil rights movement lead to a forcefully violent rebellion of sexual minorities. The Stonewall Riots began on June 28, 1968 at the Stonewall Inn in Greenwich Village, leading the way for the gay rights movement in America and around the world. In 1970, the first Gay Pride celebrationn was held to commemorate Stonewall. Open sexuality became rampant, and this documentary shows a golden age of decadence through interviews, pictures, and film footage.


Men were cruising long before the 1970s, but the open flagrant cruising of New York began when gay men started sunbathing on an abandoned pier. It is said that there were a few at first, but the numbers increased until thousands of men were having sex in and out of the abandoned buildings. There were also the empty truck beds on the loading docks, and the wooded areas of Central Park. One man describes the smell of grime and filth, but goes on to say that people didn't care. The most important thing was sex.


There were also the baths. You could spend an entire weekend in the baths without ever leaving. Man's Country and the Saint Mark's Baths, were all inclusive, and had everything one might need for a weekend stay, including Bette Midler, who got her start performing in the gay baths of New York. She would appear on stage with a basket of poppers (an inhalant sex drug), and throw them to the masses. Drugs, dancing, and sex could also be found in the night clubs. Paradise Garage is noted for being one the first mixed places for blacks and gays, but there were so many others like Harrah, Studio 54, and The Saint, where the air was always filled with the smell of poppers.


Drugs played a major role in the libidinous free love of the 70s. With combinations of LSD, cocaine, reefer, angel dust, and Valium, to name a few, it was important to balance one's drugs for the evening in order to stay out as long as possible. Then there were the orgies, wild groups of unbridled bodies, sweaty and taught, wadded together in a mass of...Excuse me. I almost lost control just thinking about it. Where were we?...oh yes, Fire Island, which became a popular vacation spot for homosexuals. The men who partied on the island are referred to as a brotherhood during this golden age of decadent exploitation. The fire Island Pines became a well known place for sexual vacation adventures.


So many good things come to an end, and so it was that the AIDS crisis halted growing open depravity. While the tragedy of this disease ravaged so many, it forced the gay community to come together in what may have been the first time in history "that the afflicted took charge of the epidemic." AIDS forced people to learn that great freedom requires great responsibility. Looking back, one man notes that all of the flagrant sexual behavior was necessary because "It replaced shame with great joy."


I was incredibly moved by this documentary. It is impressive that anyone thought to photograph this time period, much less film it. The images are astounding, and the nudity isn't bad either. This is a MUST SEE. It is candid, provocative, and truly amazing.


Happy Endings,

Matthew

The Eating Out Trilogy

Three films will be discussed in this posting. Three films, I will add, of which I was somewhat skeptical. After all it would not be the first time that someone produced a series of three really bad movies that were liked by a lot of viewers. Look at The Matrix. However, it is not the case here. Though these are not the greatest films I have ever seen, they are delightfully humorous, low budget films that will surprise you with their delivery.

In Eating Out (2004), Tiffani, Gwen, Marc, Kyle, and Caleb adventure on a comedy of errors when Kyle concocts a scheme to help his straight roommate, Caleb, get closer to Gwen, a hypersexual control freak who is seriously turned on by gay men. In order to do so, Caleb must pretend he is gay, and interested in Gwen's ex-boyfriend, Marc. In the end, Caleb gets Gwen, Kyle gets Marc, and Tiffani gets off.

The humor continues in Eating Out 2; Sloppy Seconds (2006) when a hot nude model named Troy enters the mix. After a quarrel, Marc and Kyle break up, and it's a race for Troy in order to make each other jealous. The depravity continues to unfold when Kyle and Troy attend a support group for young homosexuals who wish to become straight. After a series of looney debacles, Troy dispels the myth that there is no such thing as a bisexual when he and Tiffani get there jollies on. Marc and Kyle are reunited and Gwen decides to do the lesbian thing.

Eating Out 3; All You Can Eat (2009)probably had the highest budget of all three films. Oddly enough, it was my least favorite, though there are some great one liners in this film. After Marc and Kyle die in an oral sex/automobile accident, Tiffani is the only remaining member of the original cast. Fresh meat, Casey, is introduced to Zack at the Larry Kramer LGBT Center and it is yet another twist on the humor from the first two films. A nice addition to this film is Ryan, Tiffani's stripper friend, who has a scrumptious sex scene with Casey and Zack while Tiffani slaps the roast beef as she watches from an outside window.

Along with some hilarious jokes and funny situational comedy, these films have a few other treats. DICK! There is a good bit of full frontal male nudity, and some hot sex, although the angles and shots walk a fine line between implication and pornography. Also, for those of you who remember Penny Pengleton from the original movie Hairspray, Mink Stole makes appearances in the second and third movies as Helen, Kyle's mother. There are connecting elements that occur in all three films, like each one beginning with a sexual fantasy scene. They also raise the question, "Who needs friends that won't fuck friends?" These films are each around 80 minutes in length, which makes them good for a rainy day marathon.

Happy Endings,

Matthew

Latter Days

Latter Days (2003) is a beautiful movie wrapped around a sexy love story. When Aaron Davis (Steve Sandvoss), a Mormon missionary, arrives in Los Angeles, he remarks that it "looked like this mass of dots, all jumbled and disconnected." Outside the circle of his fellow missionaries, it is more than coincidence that his first connection is his gay neighbor, Christian (Wes Ramsey). The story takes an interesting turn after Christan bets his friends that he can seduce one of his new neighbors. When he and Aaron begin getting to know one another, Christian discovers that Aaron is gay. Aaron admits the truth about himself, but is quick to point out that Christian is the type of shallow person who "equates sex with a handshake." This revelation proves cathartic for Christian, and compels him to seek ways in which he can become a better person.


So now these two begin to fall in love, but they get caught kissing by the other missionaries. Aaron is sent home in shame, but Christian follows after him, and they are reunited during a layover in Salt Lake City. This film renders a beautifully steamy sex scene with gratifying nudity that may have you pressing rewind a few times. Christian awakens after a night of passion to find that Aaron has left to face the consequences that await him, and both of their lives nearly fall apart.


After a period of personal obstacles and emotional torment, Aaron returns to Los Angeles and rediscovers Christian, his true love. Everything is restored, and Aaron begins to see that "we're all connected, and it's beautiful, and it's funny, and it's good." I was triumphant with joy when the two lovers are rejoined. This movie has many delights, including Jacqueline Bisset, who plays Lila, the wise and witty owner of the restaurant where Christian works. Her role in this film is purposeful, heart warming relief. She tells Aaron "Your church doesn't allow alcohol or homosexuals. Well I'm definitely not joining. I can't imagine heaven without both."


It seems that the seeking connections with other people is a theme common to many gay and lesbian films. There is truth in it, and redemption. We are all looking for connections to one another. The world can be lonely, but not if when we are courageous to be true to ourselves. In my early adulthood, I was in love with someone who had to choose between me and his own religious beliefs. Though my situation had different results than those in Latter Days, I can relate to this film on a very personal level. If you watch this film, be prepared to laugh, cry, and rejoice!


Happy Endings,
Matthew

Mulligans

There are many wonderful movies in the genre of Queer Cinema, but few are as delightfully surprising as Mulligans (2008). In golf, a Mulligan occurs when a player is given a second chance to perform a move or shot. Appropriately titled, this movie is all about second chances. I recommend this film as enjoyable for viewers of any orientation, but you queens with daddy issues are going to love it.



When Tyler (Dereck James) invites his college friend, Chase (Charlie David), to spend the summer with his family on Vancouver Island the lives of the Davidson's undergoe a transformation that redefines them forever. Chase learns that Tyler is a product of teen pregnancy when he meets dad Nathan (Dan Payne), mom Stacey (Thea Gill), and little sister Birdie, who's inquisitive and frank nature provides comic relief in an otherwise drama.



Working together on the golf course, Chase tells Tyler that he is gay. Tyler wants to do the best thing for his friend and confides in his father, who tells him to continue acting the way he always has. Things take an interesting turn when Stacey, Tyler, and Birdie go away for the weekend, leaving Nathan and Chase alone. Nathan reluctantly confides in Chase that he has always had feelings for men, but "Things were different twenty years ago." His attempt to console Nathan results in a surprisingly romantic enterprise for Chase...at least until the rest of the family decides to return earlier than planned.



Nathan's feelings have been concealed for so long that they are now uncontrollable, and his carelessness with Chase results in Stacey and Tyler discovering the truth. The Davidsons face difficult choices that may tear them apart, and Chase leaves in lonely exile for the remainder of the Summer. Forgiveness equals a second chance for redemption; however, no one's life will be as it was before.



This film touched me deeply because beneath the story line is a message about our need for intimacy. The desire for human contact is basic to most people, and an important piece of a greater whole. There is a book available for those of you who prefer to read before you view. I hope you will see this film. It is beautiful.



Happy Endings,

Matthew

Girls Will Be Girls

Girls Will Be Girls (2003) is one of the funniest, raunchiest movies I have seen in a long time. Set around the lives of three women trying to claw their way through the hierarchy of Hollywood fame, this comedy has everything from abortions, incontinence,

and prostitution to rape, drugs, and suicide. All of the female roles are played by men, which really adds to the hilarity and mayhem.

Evie (Jack Plotnick), a washed up actress with a penchant for self-indulgence, is living with her friend Coco (Clinton Leupp). When Evie rents a room to Varla (Jeffrey Robberson), tensions rise within the trio. Upon Varla's arrival, Coco greets her at the door with "Let me help you with your duffel bag...Oh, it's just your ass." It is soon discovered that Varla is the daughter of Evie's old rival Marla Simmonds, who committed suicide after the loss of her break through role. Evie gives her condolences to Varla by saying, "I'm sorry to hear your mother off'd herself...Oh I'm sorry, passed herself away." Evie steps up the competition with Varla, but when she asks her son Stevie (Ron Matthews) to help her get a role on television, he tells her that no one will hire her because of an episode in which she ran down a family of four. Evie corrects him, saying " It was a family of six. I only killed four, and who has a picnic in their own back yard?"

As Varla moves closer to her dream of becoming an actress, Evie jealously plots against her, and Coco's life takes a turn after she is drugged and raped in the hospital, leading her to rediscover the abortion doctor with whom she had fallen in love when she was young. All is shaken by Evie's selfish behavior and refusal to apologize for anything, until she comes to terms with the things she has done in a drugged out crazy spectacle on live television.

I have watched this film three times, and it never gets old. It is full of bawdy humor and spoofs from Sunset Boulevard, Mommie Dearest, and All about Eve. See this film for a great laugh. It is very well done!

Happy Endings,

Matthew

The Naked Civil Servant

John Hurt's 1975 performance is a poignant portrayal of Quentin Crisp, "one of the stately homos of England." In the years before World War II, Quentin Crisp dared to be himself. It was a time when homosexuality was illegal, yet he was determined to make the world aware of it. Crisp's story is one of the single most important accounts we have of the struggle for our (gay) rights before such boldness was recognized as a struggle.



From an early age, he knew he was different, but until he left home, he had always believed that "Sex is a poor substitute for masturbation." Strolling the streets one night he met the first person willing to initiate him into a world of men dressing as women. It is this moment he discovered that "Exhibitionism is a drug. You get hooked!" Quentin Crisp flagrantly and courageously began to wear make-up, and dress flamboyantly. He confronted the prejudice of public fear and opinion, something he did at great personal risk. In doing so he learned valuable lessons like, "Some rough's (short for ruffians) are really queer, and some queers are really rough."



Early on Quentin Crisp turned to prostitution to make a living, but in due course, fortune opened new opportunities for him. Though his membership at an establishment for men of the gay persuasion was revoked because of his obvious appearance, homosexuality saved him from the war, and during the black out, the dark streets of Britain became his playground. He had particularly fond memories of the Americans arriving. That was when he learned that sex could be fun. God bless America! When Quentin Crisp took a job as an art model, he realized that he had become a naked civil servant, thus the the title of this film.



Today, we live in a world of self absorption. Younger and younger generations of gays and lesbians are becoming increasingly farther removed from the dangers of being different in a world that is scared to accept them. Prejudice still exists, but it is important to know what others have sacrificed to pave the way for us. When considering queer films to watch, The Naked Civil Servant is an important selection. It reminds us all to "Never keep up with the Jonses. Drag them down to your level. It's cheaper."



Happy Endings,


Matthew

Edge of Seventeen

It's 1984, and 17 year old Eric(Chris Stafford) is on a path of self discovery that will lead him to a greater truth about himself. During the summer before his senior year he and his girlfriend, Maggie, take a job at a local theme park restaurant. Here they meet two delightfully gay characters, kitchen boss Angie(Lea DeLaria), and Rod(Anderson Gaybrych), another member of the staff who is openly gay. After a mouth full of whipped cream and a near kiss with Rod in the kitchen cooler, Eric begins to open up to his inner yearnings.

Eric's experiences lead him to a farewell date at the season's end, just before Rod leaves for Ohio State. His first experience mimics many of our's in that there is nothing better than willingly giving one's innocence to another in the confines of forbidden secret acts. The flood gates are opened for Eric, freeing the turbulent waters of confusion as he tries to understand his new feelings, and his love for girlfriend Maggie.

After being called queer at a party, Eric runs straight to the local gay bar. There he reunites with his old boss Angie, who introduces him into the glamor of the gay lifestyle. His first trick quickly follows. When Eric gets his first rim job from an older man, I screamed "Hallelujah! Thank you, Jesus!" This movie evoked memories and feelings of my own first experiences, particularly a scene I like to refer to as Baby's First Anal. Of course with pleasure comes pain. As Eric delves deeper into his new life he learns valuable lessons about sex and love. He must also reconcile with his girlfriend and confront his mother.

'84 was a little before my my teen years, but oh boy! This film, actually released in 1998, takes me back to a time in my own life when the prospect of sex with another man filled me with the verboten tingle of teenage sin. Yes! I liked the film. In fact I watched it twice, and I will watch it again. I strongly recommend you do the same. It will transport you to the days of young love's sweet sting, and I don't mean the kind that burns when you pee.

Happy Endings,

Matthew

Were the World Mine

"Now with a deft and musical note, rejoice
To give your deepest love-desire strong voice."
~ Shakespeare

Right on! Were the World Mine strikes a note that will resonate with your senses on every level, and it is no wonder that this film has been the recipient of a boat load of awards, far too numerous to mention here. Based on the short film, "Fairies" and William Shakespeare's A Midsummer Night's Dream, this 2008 feature weaves a spell sewn of music, plot, and classical lyrics, not to mention an incredible cast.

Timothy, played by angel of the screen Tanner Cohen, attends an all boys school where the senior class students are required to participate in the school play. Surrounded by jocks, he finds himself falling in love with star rugby player, Jonathan, played by Nathaniel David Becker. Ms. Tebbit, the English teacher has adapted Shakespeare's play as a musical, and casts Timothy and Jonathan as Puck and Lysander respectively. While rehearsing his lines, Timothy discovers the secret of Cupid's love juice, and with a magical flower begins casting a spell that turns the whole town of Kingston upside down. However, the course of true love does not run smooth. Timothy's mischief calls the attention of Ms. Tebbit(Wendy Robbie), who sees all and forces reluctant Timothy to make amends. Though restored, no one will ever be the same, including Jonathan, who realizes his true love for Timothy.

The music in this film is brilliant, and the dancing, shirtless, teenage rugby players aren't bad either. All of the elements in Were the World Mine make for a perfect mix of entertainment that is worthy to coin the term "heteroflexible", which means "I'm straight, but shit happens." WATCH THIS MOVIE! You will walk away singing " I pray thee, gentle mortal, sing again."

Happy Endings,
Matthew

Breakfast with Scot

For Sam and Eric, keeping the nature of their relationship a private matter proves to be a conundrum of hysterical proportion when Scot moves in after the death of his mother. Eric (Tom Cavanagh), a former hockey star and sportscaster who hates kids, is mortified by Scot, who loves stickers, knitting, make-up, Broadway musicals, and anything pink. In his attempts to help Scot become more masculine, Eric becomes increasingly comfortable with his own identity and realizes he cares for Scot a great deal.

This 2007 film is almost as cute as Noah Bernett, who plays Scot, and does so marvelously. This movie speaks to the uniqueness of children, and how the loving heart of a child can transform lives. I found it to be funny and heart warming. Society frequently denies and underestimates that gay couples can be good parents, a notion which this movie dispels. Though Scot never admits that he is gay, this film raises questions about children who realize their sexuality at an early age, and the ways in which adutls care for and nuture them.

If you want to laugh, maybe cry, rejoice, and identify with people, then watch this movie. Scot has a profound affect on everyone in the film. Watching it made me wish that someone would die and leave me a kid...But seriously, watch and enjoy this film. It's delightful, and maybe Scot will affect you too.

Happy Endings!

Matthew

Cowboys and Angels

Whether you are straight or gay, you will enjoy this 2003 film. Cowboys and Angels takes place in Limerick, Ireland, during the early part of the new millennium. When Vincent, an oh so de la monde fashion design student at the Limerick College of Art, takes a city flat with Shane, a seemingly naive heterosexual who is looking for a place to belong.

Vincent begins to work his magic on Shane, who is falling in love with Gemma, a lesbian; however, Vincent's powers of fabulous fashion are not the only forces working to transform Shane. Fate intervenes one evening when he accidentally discovers the hidden drug stash of neighboring tenant Kieth, who decides to capitalize on Shane's innocence. At first, Shane declines Keith's offer to pull a delivery job, but a sense of hopelessness and a desire to achieve his dreams leads Shane on a one night adventure that haunts and marks him forever. As Vincent prepares for his final fashion show, Shane sinks deeper into hard circumstances and farther away from his dreams. In the end, Shane's good heart and Vincent's influence are triumphant for both characters.

It is refreshing to watch a movie in which the gay character is not some drug indulgent slut looking for another fix and the futile exploits of sexual depravity. There's plenty of that, but you won't find it here. In this film we see how a loving friendship between gay and straight people can transform both parties in a positive way. Unexpected twists and turns in the plot add to the quality of this film. It is heart warming and fun, and I hope you will find time to watch it.

Happy Endings,

Matthew

Creatures from the Pink Lagoon

Oh my God I love campy movies! Creatures from the Pink Lagoon (2006) has all of the wonderfully gay elements of a hilariously campy film. Set in 1967, this black and white movie revolves around a group of gay men throwing a birthday party for their friend Phillip, at Stan's house on the Pink Lagoon, which happens to be located near the Exist 5 Rest Stop and the West End Chemical Plant. In the beginning of this film, a rest stop cruiser is bitten by a mosquito carrying the dreaded West End Virus, resulting in the resurrection of zombies...fag zombies!

This film has several shameless steals from Mart Crowley's The Boy's in the Band, but " Oh Mary, don't ask." The cast of characters completely covers a wide range of gay personalities; the sweet one, the closeted one, the gym bunny, the pretty yet stupid one, the smart one, the bitch, and the rest stop Betty.

After being let out on the side of the road by his unappreciative boyfriend, Phillip is the last to arrive at the party. The real fun begins when a horde of festive zombies make their way from the Exit 5 rest stop to the beach of the Pink Lagoon, putting an end to the merriment and forcing the group to try and figure out how they will escape. During their attempts they discover that the only thing that will stop the zombies is Butch 22 cologne, but as they try to get help they lose several of the party guests, including bitchy Randall, whos' need to smoke a cigarette becomes his undoing.

Before zombies overtake the entire lagoon, Stan realizes that he can change the zombies back into people by playing the music of Judy Garland and saves the day. After the experience, Phillip discovers his true love, and Stan drives off blasting a Judy Garland weekend marathon to make things right again. In the end, zombified Randall returns to say "Show tunes...If I hear one more show tune I'm going to eat somebody." Rest stop cruising, zombies, dildos, bad cologne, and Judy Garland make this campy feature a must see that will have you singing Zing! Went the Strings of My Heart.

Happy Endings,

Matthew

Burnt Money

Burnt Money, or Plata Quemada, is a Spanish film from 2000 that is balls to the wall! This true story of homosexual, Argentinian bank robbers/cop killers Angel and Nene, takes place in Buenos Aires and Montevideo during 1965. Nothing is lost through the use of subtitles in this sexy shoot 'em up movie. "Lady Luck is strange. She comes when she's least expected" rings true in this film that really delivers. Money isn't the only thing on fire in this movie. Actors Eduardo Noriega and Leonardo Sbaraglia bear it all. With a love that is equalled only by lust, the world believes that Angel and Nene are twins. Their only true bond is a blood-stained passion that sees them to their destructive, psychotic end.

Let's talk skin. This film has lots of it, and hubba hubba! Intermittent scenes loaded with full frontal and rear nudity are most gratifying. Drugs, indiscriminate sex, and flagrant cruising, are rampant throughout this movie, including a forced bathroom blow job at gun point that had me shouting ole! It's funny that the Spanish word for restroom is servicio. You do the math.

In the course of a lethiferous relationship Angel wants to save Nene from himself. Nene wants to calm the constant voices in Angel's mind. Holding on to their dreams of learning English and moving to New York, they blaze their way to Uruguay in hopes of escaping from the consequences of their crimes. Information provided to the police by the jaded women in their lives brings about a final shoot out of fantastic proportion. After they decide to burn all of the stolen money, preventing the police from obtaining it, the real irony in this film occurs when Nene is shot by a stray bullet. As he lies, dying in Angel's arms, he tells Angel that he can finally hear the voices.

Despite my own partiality for foreign films, an enthralling story, hot bodies, and plenty of action make this film one that anyone can enjoy. Spanish dialogue along with rock and roll make for a great sound platform. I love Burnt Money. If foreign films aren't your thing, try this one. You might change your mind.

Happy Endings,

Matthew

Little Ashes

At last, a stab at all those tweens and teens who sat through Twilight while their middle parts tingled away at what I now believe to be a mediocre role for the very talented Robert Pattinson. His portrayal of Salvador Dali in the 2008 film, Little Ashes, not only gave me a new respect for his acting ability, it delighted my sense of artistic intellectualism.

Rarely do I finish a film thinking, damn that was a good movie! Any way you look at it, the quality of this film is superb. Little Ashes explores the relationship between Salvador Dali and Spanish poet, Frederico Garcia Lorca, based on stories told by Dali himself near the end of his life. During their time at the Residencia de Estudiantes in Madrid, 1920s Spain provides the perfect scene for the decadent lifestyles then enjoyed by artists and intellectuals. With just enough nudity to pacify, including a frontal of Robert Pattinson, rising sexual tensions between the two friends parallel the increasing political animosity leading to the Spanish Civil War.

Little Ashes, which shares its name with one of Dali's paintings, is about choices. As political fury cuts across the land, jazz becomes the music of revolutionary thinking. Frederico Garcia Lorca, and Salvador Dali share unique ideals that present no limits. This includes their love for one another. Ultimately, the two are parted, sending Dali to Paris where narcissism and excessiveness lead to his expulsion from the Surrealist Movement. Garcia Lorca remains in Spain, speaking out for his freedom and the right to love whoever he chooses in a time when homosexuality was illegal. He is finally captured by a Nationalist militia and killed in his homeland of Grenada.

I absolutely loved everything about this film. Because of the subject matter, I wasn't expecting

a great deal of nudity and hot lasciviousness. This movie delivers a beautiful love story on the edge of a revolution of hearts, minds, and country. There are a few scenes in which Frederico Garcia Lorca, played by Javier Beltran, recites his work in Spanish while the same actor speaks a translation in English. The combination of the two languages is a lovely way to experience Garcia Lorca's poetry. This wonderful film is highly recommended for its content and character. Viva la revolucion!

Happy Endings,,

Matthew

Head On

Wow! I could not have made a better selection with which to begin. This racy 1998 film stars the gorgeous Alex Dimitriades as Ari, a 19 year old Greek - Australian who likens himself unto John Cusak in The Drifters, only gay. His story takes place over a 24 hour adventure of self exploration that will make you proud to be a poofter. Steamy scenes of delicious sexual content, including some hot full-frontal nudity, are interwoven with drugs, gambling, family pressures, drag, and two realistic back-alley sex scenes that earn the line "You've got a sweet mouth"; however, there is more to this movie than meets the eye...candy.

Along with the reality of growing up in a Greek family, Head On confronts the truth about the disillusionment of the 90s. In fact Ari's first line, "They say God is dead, but man, they still expect you to have a purpose", could have been used to sum up the entire decade preceding the new millennium. In a way this movie takes me back to a time when it was almost fashionable to be a jobless, drug addicted, slut looking for a reason to exist when all anyone really wanted was a revolution for freedom from self-oppression. Was that just the 90s? Drugs, at least the use of certain drugs, seem to have become increasingly acceptable practice in various circles much like cigarettes and brandy in the early part of the 20th Century. What about sex? The word homosexual contains the word sex, and in looking for common threads I suppose that sex is the most obvious one. It is a fair assumption that the male libido is a voracious one, especially at the age of 19. Indeed, so is Ari's, as you will see in this film's hot and heady plot.

Many of us can relate to Ari's experiences. What a grand time it was to be a virile young man, smoking, snorting, and buggering everything that came along. Besides, we all hop off the fashion train eventually. At that age, one should enjoy life while he can, and with all of the reckless abandon that comes with youth. Looking back on what I just wrote, I can't help but wonder who out there is reading this and thinking, Damn! It's no wonder AIDS is an epidemic, and I am lucky to have squeezed by unscathed. Is that sort of wild, wanton sexuality a common thread we share? Does that define or stereotype certain gay men, all gay men? Like the protagonist of this film, we are all exploring life for something more as if we know it is there despite our human doubt. That includes the decadent feasting and temporary satysfaction that flesh has to offer...especially flesh.

In Head On, Ari's self destructiveness becomes his salvation in the final realization that "I am a sailor, and I am a whore, and I will be until the end of the world." An awesome soundtrack of Greek and club music provides the perfect background element, leading to a climactic nightclub scene that sent me back to the golden days of Backstreet Atlanta. This is an AWESOME movie and I highly recommend it to all of you.

Happy Endings,

Matthew

In the Beginning

Let's go to the movies!

Welcome to a journey full of intimacy and intrigue, love and loss, pain and passion, lives empowered and lives destroyed. This will be an odyssey exploring the many facets of Gay culture as they exist throughout the human condition and the threads that tie them together. As art reflects life and the reverse, our vessel will be cinema...But first, a little background information seems appropriate.

A year and a half ago, a bout of illness with Crohns Disease forced me to take a leave of absence from graduate study at the University of Georgia. After reading every book in my apartment and then some, the tedium of solitude during much of this period left me with little more than media and Internet entertainment to pacify a once proud gay man, student, and avid socialite. Thanks to my friend Stephen's encouragement, a heaping helping of movies lead me to the realization that I should expose myself to more movies with gay themes. What better way to remain in contact with that part of myself than movies and stories about people like me, about me, about all of us really. And so, with  more free time than anyone should ever have, I began watching. What I discovered, I will now share with you.

It seems that in the macrocosm of human experience we are bound together by common threads. It is my hope that through comedy, drama, tragedy, indie and musical films, all the range this medium has to offer, I will discover these common threads. They define the various personalities and lifestyles to which we can all relate, be it by personal experience, association, or observation. Maybe I will learn more about myself in the process, and develop an appreciation for the great differences that truly make us one

None of the films will be discussed are in any particular order; that is to say that their mention will occur as my fancy leads. It is only appropriate for this sort of blog. Together, we will explore titles like The Boys in the Band, Latter Days, The Bird Cage, Maurice, Priscilla Queen of the Dessert, The Naked Civil Servant, Were the World Mine, Muligans, and many more. You may discover new films to explore, or perhaps suggest a few for me. I hope you will enjoy this adventure as much as I enjoy embarking upon it with you. Through it we may better come to understand who we are in relation to one another and the world in which we live.  I was also hoping for a little nudity, tastefully implied, or otherwise blatant.

Happy Endings,

Matthew